| Recently Published Haibun by Ray Rasmussen |
In her poem “The Flaw,” Molly Peacock writes, “The best thing about a hand-made pattern in a weaving is the flaw.” She suggests that a red string standing out in a blue-toned carpet weave could be likened to a red bird flying into a blue sky.
My partner is a talented fabric artist, and so I read Peacock’s poem to her and ask, “What do you see as my red strings, if any?”
After a long pause, she replies, “Your swearing – when you get frustrated and curse at something like your computer when it’s not working. No one in my family ever swore.”
“Is there a way you could turn my rarely exercised flaw into a red bird soaring into a blue sky?” I suggest.
“No, for me it’s more like a screeching Bald Eagle with talons extended as it swoops down on a lamb,” she says.
I mention that Peacock wrote that a flaw can be thought of as a reaching out, as the string saying, in effect, “I’m alive, discovered by your eye.”
“Oh, I do know you’re alive when you shout and swear,” she replies.
“What if I tell you that the ancient Persians deliberately put a flaw in their carpets because only God is entitled to be perfect and it would be arrogant for a mortal to aspire to perfection?”
“I’d not worry too much about being close to perfection.”
couples counseling – picking strings from my frayed sweater
This is a revision of a piece published in Frogpond.
Molly Peacock’s wonderful poem, “The Flaw,” can be found here -> link
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